3/23/2023 0 Comments Noteaway review![]() It also allows messages to be generated asynchronously out of order, so each is stored with a timestamp until it is time to actually emit it. I am writing a MIDI buffer to handle these possibilities. Similarly, when an overlapping note terminates and we want to restore a "background" note, there are many sensible choices - retrigger the background note with its original parameters, continue the overlapping note (in order to prevent an undesired attack phase) perhaps with updated parameters, etc. There are many sensible semantics of how overlapping notes could be interpreted - overlapping quiet notes could "sum" to a louder note, the loudest note could win, etc. ![]() For example, overlapping notes at a single pitch could be matched to their own noteOffs, so that a single noteOff will not terminate previously playing notes that have not yet finished. That makes sense when physical keys are triggering MIDI events, but in a context where an algorithm generates the notes, a different semantics may be preferred. A single noteOff will then terminate that last, most recently initiated, sound. Because of the serial representation, multiple noteOns may be sent at a single pitch with no interleaved noteOffs typically each will simultaneously terminate (initiate the release phase of) the previous sound and trigger the initiation (attack) of a new sound, perhaps with updated parameters (namely velocity, MIDI's intensity parameter). ![]() The note will continue through decay and sustain phases until later, a noteOff message initiates a release phase to terminate the sound. Typically, a noteOn message initiates the attack phase of a sound at a given pitch. MIDI is a serial representation of control signals to a sound generator. ![]()
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